If you want to download a Free E-book of 15 II Valt I licks then subscribe to my newsletter: The PDF with examples for this video is available through Patreon. It is my firm belief that anyone who is even remotely interested in playing modern jazz guitar should transcribe Wes Montgomery. This is a great example of Bird’s bebop style written over a blues. The Sweep of the C major triad comes out on an F#. Jazz Blues – 3 Easy Techniques That Make You Sound Better, Triplets Can Make Your Jazz Solo Sound Amazing, How To Make One Arpeggio Into 25 Great Jazz Licks, Easy Way To Make Your Jazz Chords Sound More Interesting, Why This Is The Most Important Scale Exercise In Jazz, How he mixes blues and bop phrases into one great language, How he is mostly using very very simple things in the solo (he is just very good at it). Hey, I'm trying to work up a simple solo for Billie's Bounce. The ascending arpeggios are also used to get accents on the 2& and 4& on the G7alt. If you have any questions, comments or suggestions for topics then please let me know. You will also see this in the George Benson solo. I have been planning to make this George Benson Guitar Lesson for a long time! You can check out my Patreon Page here: https://www.patreon.com/jenslarsen, Join 1500+ Other Jazz Guitarists Join us in the Facebook Jazz Guitar Group Community: http://bit.ly/InsidersFBGroup. Of course it will help you recognize and hear where accents are and understand the phrasing examples you hear on a conscious level. The excerpt starts on the II V to Gm7, which in Billie’s bounce is Am7 D7 (b9). PDF file for this lesson: Wes Montgomery's solo on "Billie's Bounce" from Fingerpickin' Wes Montgomery’s concept of time This is the first of many Wes Montgomery solos I will be demonstrating. From here it skips up to a D and descends step-wise to Bb. If you want to explore the concepts discussed in this lesson further with some exercises and examles you can check out this lesson in my WebStore: You can also download the PDF of my examples here: If you have any questions, comments or suggestions for topics or how I can make the lessons better then please let me know. The trick is to find a way to create lines where we have a high note on an off-beat. This is a great example of Bird’s bebop style written over a blues. Tabs at http://marketplace.live4guitar.com/guitar-lesson/billie-s-bounce-walking-bass-chords-and-soloing . Another way to work on this is to listen and imitate examples of good phrasing, this can be copying records or learning to play transcriptions. In the example below I have written out two examples of jazz lines over a Turnaround in C major. Learning from composing and analyzing is only one way of the ways to internalize these things. And then I am also going to show you one way of thinking about chords, scales and arpeggios that he uses here that is not that common but he makes it into some really great lines, it’s something he uses a lot in this solo. Some of the things that I will cover in this video is. Lesson 4 Introduction (2:42) 2:39 “Now’s the Time” Progression - Analysis (5:45) 5:49. It does sound a little strange I know, but actually we can work on making lines that are easier to phrase in a right way. The Reason Your Jazz Guitar Licks Suck and How you fix it! "Lesson 2: Soloing Approaches Over ‘Billie's Bounce’ (the Jazz Blues Progression)" complete Watch Again Next Lesson If you're interested in digging deep into what really makes a solo 'great' - … There is another accent on the 3& where the B can get an accent. Finally it is also really good to have some solos that you really copy and play along with the record to really get into how the guitarist is phrasing. These 4 bars are an excerpt from his (really fantastic!) Especially Hancocks solo is amazing and the trading with piano and guitar is also great and really illustrates how George Benson can also go outside and play more modern jazz licks. If you're interested in digging deep into what really makes a solo 'great' - then this is the course for you! These 4 bars are an excerpt from his (really fantastic!) You should also check out how great Herbie Hancock, Billy Cobham and Ron Carter play on this. In this course, our very own Rufus Philpot takes a deep drive into soloing and it's core components of melody, phrasing & articulation.

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